randian | 燃点

The impetus for Trevor Yeung’s work often stems from his inner conflicts. >> Read more

Para Site is pleased to present a series of summer public programmes comprising of gallery tours, a film screening, and an artist talk taking place alongside That Has Been, and May Be Again, our current exhibition curated by Leo Li Chen and Wu Mo. >> Read more

A frame is a shape, a drawing. It is both invisible and present — a dotted line that serves to demarcate a designated area or a tangible border which separates inside from out. It is the scintillation of presence, the oscillation between undetectable contours and harsh delineation, where frames force us to have a heightened awareness... >> Read more

The Rockbund Art Museum in Shanghai is proud to present the latest exhibition “Walking On The Fade Out Lines” from March 24 to May 27, 2018. >> Read more

The Rockbund Art Museum in Shanghai is proud to present the latest exhibition “Walking On The Fade Out Lines” from March 24 to May 27, 2018. >> Read more

Often the view of these tiled areas is so centred, perpendicularly or from above, that the perspective vanishes, with the depth-of-vision flattening to almost nothing, bringing the stains and discolorations to the fore. These public-personal spaces, simultaneously places of hygiene and pollution, >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more

The Guangdong Times Museum is pleased to announce an open call for All the Way South: Residency in Exchange with The Factory Contemporary Arts Centre in 2020. >> Read more

Magician Space is honored to present Fruit Cell, an art project by Chinese artist Yu Bogong this summer. In the mid-1990s, Yu Bogong arrived at the Yuanmingyuan artist village in Beijing. Yuanmingyuan, as a gathering place for avant-garde artists, directly contributed to the development of Chinese contemporary art during a time when such art had […] >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more